A public discussion was recently held on the work of artist and sculptor Bekele Mekonen titled ‘‘The Smoking Table’’
A public discussion was recently held at the Bilatengeta Hiruy Woldessilasie Arts Center of the Ethiopian Academy of Sciences (EAS), focusing on the contemporary artwork of Bekele Mekonen titled “The Smoking Table.” This thought-provoking piece, which was recently showcased at the Royal Museum of Torino in Italy and has been selected for permanent display, flashed a critical discourse on the enduring legacy of colonialism and its profound negative impact.
The Torino exhibition was a captivating showcase of an exceptional collection of artifacts gathered from various African countries. Among the many fascinating displays, Bekele’s creative masterpiece, aptly named “The Smoking Table,” serves as a powerful representation of African and Ethiopian voices and perspectives.
Among the many fascinating displays, Bekele’s creative masterpiece, aptly named “The Smoking Table,” serves as a powerful representation of African and Ethiopian voices and perspectives.
During the discussion at Addis Ababa, Mr. Bekele provided valuable insight into his artistic intervention in the Italian project, emphasizing the artistic, historical, and political significance of his work.
Dr. Yonas Ashine, Lecturer of Political Science and International Relations at Addis Ababa University, also delved political and historical implications of colonialism, drawing connections to the present-day political and social turmoil in Africa. He expressed concerns about Western countries’ desire to determine the fate of underdeveloped nations, inspiring us to question whether we are still under the grip of colonialism.
Moreover, artist Agegnehu Adane instructor at Ale Art School, analyzed the stylistic approach employed by the artist Bekele. He also mentioned the symbolism behind Bekelens’ work, emphasizing that the smoking table symbolizes the poignant reference to the infamous Berlin Conference, where colonialists plotted to exploit Africa. Adane further elaborated that the suitcases placed on the table and the shoes adorning its feet symbolize the enduring remnants of the divisive fascist agenda that the colonialists brought upon their arrival in Africa; its legacy continues to impact the continent to this day.
In response to the questions from various audiences about the intention behind his thought-provoking creation, Mr. Bekele explained that the purpose of his creative work extends beyond condemning past colonialists. He believes that violence and injustice continue to be prolonged because of the aftermath of colonialism, and as a civilized generation of the 21st century, it is crucial to explore how we can live harmoniously without succumbing to greed and cruelty.
At the conclusion of the discussion, Professor Belay Kassa, President of the #EAS, along with other participants, expressed their satisfaction with the productive and enlightening nature of the conversation. The public discussion covered a wide range of thought-provoking and research-oriented topics. Participants presented compelling ideas, leading to an engaging and educational experience.